Render image created for a better understanding of the size of the artwork
Masakatsu Sashie Japan, b. 1974
SYMBOL 「通」 , 2025
Oil on Canvas
53cm x 46cm
20.7 x 18.2 in
20.7 x 18.2 in
Copyright The Artist
Sold
SYMBOL「通」, 2025 In SYMBOL「通」, Sashie anchors his floating sphere with the character 通, a sign that in Japanese conveys movement, passage, and connection. Here, it functions almost like a fossil...
SYMBOL「通」, 2025
In SYMBOL「通」, Sashie anchors his floating sphere with the character 通, a sign that in Japanese conveys movement, passage, and connection. Here, it functions almost like a fossil of the city’s invisible arteries — the streets, networks, and circulations that once animated an entire urban ecosystem. The sphere itself, composed of patched metals, faded panels, and fragments of anonymous architecture, becomes a drifting archive of lost trajectories.
The glowing presence of 通 suggests that even in ruin, a residual flow of memory persists. It is the memory of a city that once breathed, a civilisation defined by its passages: commuters, conversations, traffic flows, and the ceaseless movement of life. Suspended above a wasteland of debris, the sphere preserves one last symbol of connectivity. What is “passing through” here is not a person, but time itself — carrying with it the ghosts of urban experience.
Sashie transforms this character into an emblem of continuity amid disintegration, a reminder that connection survives even when structures collapse.
In SYMBOL「通」, Sashie anchors his floating sphere with the character 通, a sign that in Japanese conveys movement, passage, and connection. Here, it functions almost like a fossil of the city’s invisible arteries — the streets, networks, and circulations that once animated an entire urban ecosystem. The sphere itself, composed of patched metals, faded panels, and fragments of anonymous architecture, becomes a drifting archive of lost trajectories.
The glowing presence of 通 suggests that even in ruin, a residual flow of memory persists. It is the memory of a city that once breathed, a civilisation defined by its passages: commuters, conversations, traffic flows, and the ceaseless movement of life. Suspended above a wasteland of debris, the sphere preserves one last symbol of connectivity. What is “passing through” here is not a person, but time itself — carrying with it the ghosts of urban experience.
Sashie transforms this character into an emblem of continuity amid disintegration, a reminder that connection survives even when structures collapse.
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