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ARTWORKS

Ray Caesar, Blessed Fragment, 2019
Ray Caesar, Blessed Fragment, 2019
Ray Caesar, Blessed Fragment, 2019
Ray Caesar, Blessed Fragment, 2019
Ray Caesar, Blessed Fragment, 2019
Ray Caesar, Blessed Fragment, 2019

Ray Caesar UK / Canada, 1958

Blessed Fragment, 2019
Digital Ultrachrome & Acrylic on Wood Panel
One of a Kind
20 x 20 cm
26 x 26 cm Framed
Copyright The Artist
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Ray Caesar’s Blessed Fragment emerges as a contemporary masterpiece, blending the artist's signature dreamlike surrealism with a meticulously orchestrated homage to Renaissance and Rococo aesthetics. As a one-of-a-kind work, rendered...
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Ray Caesar’s Blessed Fragment emerges as a contemporary masterpiece, blending the artist's signature dreamlike surrealism with a meticulously orchestrated homage to Renaissance and Rococo aesthetics. As a one-of-a-kind work, rendered with Digital Ultrachrome and acrylic on wood panel, its rarity enhances the intimate aura that surrounds this enigmatic portrait.


The composition is steeped in the opulent poetics of Caesar's oeuvre, where an ethereal figure with porcelain-like skin and distant gazes evoke an uncanny elegance. In Blessed Fragment, the subject's elongated neck, exaggerated cranial features, and half-lidded, contemplative eyes suspend her between beauty and the surreal. Her visage—at once serene and disquieting—recalls the delicacy of 18th-century portraiture, yet is filtered through Caesar’s distinct, digitally infused lens.

The influence of classical techniques is evident in the soft gradients of light and the velvety texture of the skin, each detail painstakingly rendered to evoke both flesh and fantasy. Caesar’s subtle use of glowing highlights and the subdued palette lends a sacred, almost reliquary feel to the work—transforming the figure into a fragment of a larger, mythic narrative. Hidden beneath the subject's placid exterior is an aura of latent emotion, suggesting a deeper psychological terrain. The closed-off expression hints at repression, silence, or reverie, drawing the viewer into a moment of internal reckoning.


This introspective quality speaks directly to the artist’s own philosophy. As Caesar reflects:

“All my work has always been based in my emotional memory of my own past that is becoming more distant as I age... I believe for all of us a certain kind of personal mythology seems to evolve over time and all the great tragedies and victories of life become an archetypal narrative in a romantic epic we call ‘our life’.”


Blessed Fragment can thus be seen as both a personal relic and a universal mirror—where Caesar’s own evolving mythology interweaves with timeless human stories. His figures, though fantastical, pulse with the psychological truths of memory and myth. As he continues:


“Much of my focus on my own personal mythology is mixed with the stories and myth of our species... So much of the current entertainment media today is simply a modernized retelling of ancient stories... We are still motivated by ancient myth and epic challenges that cast us as the protagonist in some archetypal quest.”


It is this very mythic consciousness that Blessed Fragment crystallizes: a haunting image, suspended in a digital-realist reverie, which compels us to consider how our own lives are shaped by half-remembered dreams, inherited narratives, and the eternal longing for transcendence.


In Caesar’s hands, digital media evolves into a vessel for timeless reflection—a meditative relic of the uncanny. Blessed Fragment transcends mere visual allure; it becomes a hauntingly poetic moment caught between stillness and secrecy, myth and memory, past and becoming.

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