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POP SURREALISM: What a Wonderfool World at Spoleto: Museo Carandente in Spoleto | Group Show

Past exhibition
26 Jun - 16 Oct 2010
  • Works
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Ron English, Peter and Paul , 2010
Ron English, Peter and Paul , 2010

Ron English USA, b. 1959

Peter and Paul , 2010
Oil on canvas
102 x 77 cm, 40.16 in x 30.31 in.
Copyright The Artist
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Further images

  • (View a larger image of thumbnail 1 ) Leila Ataya, Her Highness
  • (View a larger image of thumbnail 2 ) Leila Ataya, Her Highness
Ron English, widely regarded as the pioneer of street art, with a pop-surrealist flavour, has redefined the boundaries between classical art, street art, and the pop culture of our century....
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Ron English, widely regarded as the pioneer of street art, with a pop-surrealist flavour, has redefined the boundaries between classical art, street art, and the pop culture of our century. His ability to merge the refinement of historical masterpieces with the vivid immediacy of modern imagery has earned him a pivotal place in the evolution of contemporary art. English’s work often critiques consumerism and explores the intersection of tradition and pop sensibility, positioning him as both a provocateur and a bridge between eras.

This particular painting offers a stunning example of English’s creative process, where he reinterprets classical iconography with a pop culture twist. Drawing from Peter Paul Rubens’ Venus and Cupid by a Fire, English retains the idyllic pastoral composition while infusing it with a playful homage to the legendary rock band KISS. In his reimagining, Venus, the emblem of classical beauty and sensuality, dons the feline-inspired face paint of Peter Criss, the band’s drummer. Cupid, traditionally a symbol of love and desire, is transformed with Paul Stanley’s iconic star motif, adding a layer of theatricality and whimsy to the scene.

The pastoral setting, rich with verdant landscapes and soft, naturalistic lighting, retains its connection to Rubens’ Baroque sensibility. However, the inclusion of KISS iconography disrupts the harmony, creating a dialogue between the historical and the contemporary. The meticulously painted details—such as the smooth textures of the skin and the angelic wings—highlight English’s technical mastery, paying homage to Rubens while asserting his own narrative.

English’s reinterpretation is not merely playful; it is deeply thought-provoking. By juxtaposing KISS’s flamboyant personas with Rubens’ timeless figures, the work challenges notions of artistic hierarchy and invites viewers to reconsider the boundaries of cultural influence. The result is an artwork that is both familiar and subversive, bridging the gap between tradition and innovation while sparking conversations about the evolving nature of art.

This painting exemplifies Ron English’s unparalleled ability to blend humor, nostalgia, and critique, creating a piece that is as intellectually engaging as it is visually captivating. Through this work, English reaffirms his position as a visionary artist who continues to redefine the relationship between high art and popular culture.


Peter and Paul di Ron English
Ron English, ampiamente riconosciuto come pioniere di una street art dal sapore pop surrealista, ha ridefinito i confini tra l'arte classica, la street art e la cultura pop del nostro secolo. La sua capacità di fondere la raffinatezza dei capolavori storici con la vivacità delle immagini moderne gli ha conferito un posto centrale nell'evoluzione dell'arte contemporanea. Il lavoro di English critica spesso il consumismo e esplora l'intersezione tra tradizione e sensibilità pop, posizionandolo come provocatore e ponte tra epoche diverse.

Questa particolare opera offre un esempio straordinario del processo creativo di English, dove reinterpreta l'iconografia classica con un tocco di cultura pop. Ispirato a Venere e Cupido vicino al fuoco di Peter Paul Rubens, English mantiene la composizione pastorale idilliaca, ma la arricchisce con un omaggio giocoso alla leggendaria band rock KISS. Nella sua reinterpretazione, Venere, simbolo della bellezza e sensualità classiche, indossa il trucco da gatto di Peter Criss, il batterista della band. Cupido, tradizionalmente simbolo di amore e desiderio, è trasformato con la stella iconica di Paul Stanley, aggiungendo teatralità e un tocco di stravaganza alla scena.L'ambientazione pastorale, ricca di paesaggi verdi e di un'illuminazione morbida e naturalistica, conserva il legame con la sensibilità barocca di Rubens.

Tuttavia, l'inclusione dell'iconografia dei KISS interrompe l'armonia, creando un dialogo tra il passato e il contemporaneo. I dettagli dipinti con estrema precisione, come le texture levigate della pelle e le ali angeliche, mettono in evidenza la maestria tecnica di English, rendendo omaggio a Rubens, pur affermando la propria narrazione.La reinterpretazione di English non è solo un gioco visivo; è un invito alla riflessione profonda. Accostando le figure stravaganti dei KISS alle figure senza tempo di Rubens, l'opera sfida le nozioni di gerarchia artistica e invita gli spettatori a riconsiderare i confini dell'influenza culturale. Il risultato è un'opera che è al contempo familiare e sovversiva, colmando il divario tra tradizione e innovazione, stimolando conversazioni sull'evoluzione dell'arte.Questo dipinto esemplifica l'incomparabile capacità di Ron English di mescolare umorismo, nostalgia e critica, creando un'opera che è tanto coinvolgente intellettualmente quanto visivamente affascinante. Con questo lavoro, English conferma la sua posizione di artista visionario che continua a ridefinire il rapporto tra arte e cultura popolare.
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